How migration works
We move records, materials, and workflows carefully with your people—usually 7–14 days of joint effort.
See MigrationKalinklo OS · Product
Run the Week handles production operations. Manage the Engagement handles guest-artist, agency, and presenter work. The Production Record connects them.
The architecture
The week and its engagement are two engines reading and writing one Production Record, so contracts and the services that need them stay connected.
Engine one
Production operations: services, personnel, materials, announcements, confirmations, and readiness.
Explore the desksThe bridge
The Production Record
The shared record connecting the production week to its guest engagement.
Engine two
Guest-artist, agency, and presenter workflows from request through settlement and archive.
Explore the desksThe desk map
Run the Week
Productions, services, call times, personnel, materials, announcements, confirmations, and readiness.
Each musician sees their own calls, materials, parts, announcements, and confirmations.
People, sections, roles, substitutes, assignments, and time-limited access.
Rights-aware materials with access rules and expiry.
Production-week risks linked directly to their fixes.
Plan the season, then turn the plan into the week.
Manage the Engagement
One record from request through hold, quote, contract, invoice, settlement, and archive.
Private roster, routed requests, contracts, invoices, commissions, and relationships.
Professional identity, availability, repertoire, media, and engagement history.
Versioned quotes flow into contracts, invoices, settlements, and archive.
Who it is for
Orchestras, festivals, opera companies, and conservatories run the week.
Read moreManagers keep their roster, brand, and relationships while Kalinklo runs operations.
Read moreArtists keep professional identity, availability, and engagement history.
Read morePresenters plan seasons, place holds, route approvals, and keep private records.
Read moreEvery ensemble
Kalinklo adapts its vocabulary while the operating model remains consistent.
| Ensemble | Who leads | Members classified by | The roster |
|---|---|---|---|
| Orchestra | Conductor | Instrument / section | Orchestra |
| Opera company | Music Director | Discipline / role | Company |
| Conservatory | Director | Department / instrument | Community |
| Chamber ensemble | Artistic Director | Instrument / chair | Ensemble |
| Festival | Artistic Director | Role / project | Festival |
The same engine supports choirs, bands, and theatre pits. Vocabulary and section presets adapt without forking the operating model.
How it lands
We move records, materials, and workflows carefully with your people—usually 7–14 days of joint effort.
See MigrationReviewed access, least-privilege permissions, auditable records, and rights-aware materials.
See Trust CenterReviewed access